Lifestyle business photoshoot advice:
by the snapper, the webber and the magazine editor
A business photoshoot can elevate your marketing and publicity to the next level.
Read on to understand how to get your money’s worth, including what a leading lifestyle photographer and a magazine editor have to say. Plus some tips from me from a website and social media angle.
Bonus: There’s a FREE downloadable lifestyle business photoshoot advice checklist at the end.
Lifestyle business photoshoot advice from a photographer
Olivia Brabbs is a commercial and advertising photographer who has been creating impactful brand visuals for over 13 years. Her clients include food production, creative, lifestyle and fashion and hospitality and heritage.
Planning: A photoshoot could save you money compared to buying stock photography
Investing in bespoke professional photography will:
- Save you time – how long does your marketing team spend searching for the perfect stock image?
- Guarantee images are on-brand
- Ensure your locations and people are featured
- Be exclusive to you. Unless you pay a lot of money, a competitor could use the very same stock image and there’s nothing you can do about it.
Planning: Accurate brief = accurate quote
Photographers aren’t mind readers – give them as much as information as you can. Take a look at your marketing plan and think about:
- Who is your target audience?
- How and where are you going to use the photos?
- Think about the Where? Who? What? When? of a photoshoot
Planning: Make sure you’re using the right photographer
A commercial food photographer differs hugely from a local paper photographer. The first thought for a branding project for a wedding venue could be to commission a wedding photographer. However they are more used to taking photos of people rather than properties or food. So check they can cover your wider brief.
Want photos that could appear in a magazine? Look for a photographer with editorial experience and first-hand knowledge of shooting for magazine features.
How to find one? Ask your trusted partners for recommendations
Ask your marketing agency or web developer. They’ll be the ones using the images. It saves time if they work with people they already trust.
Great working with @NimaConsultancy & @InkGardener on the rebrand for The Grapes in Slingsby. https://t.co/IC3lQwTxWS #pubphotography pic.twitter.com/kA9gSg1S2D
— Olivia Brabbs (@oliviabrabbs) September 27, 2017
Planning: Is now the right time for a photoshoot?
Are you about to start on a major renovation or rebrand? Arrange a photoshoot after it’s completed.
If you don’t want a photoshoot full of seasonal decorations avoid Christmas, Valentine’s and Easter.
Planning: Don’t go off-piste on the day
A photographer will pre-plan a shoot to be as efficient as possible. Last-minute requests will impact what we can get through.
Costs: Licencing and use of images
The different fee structures for commercial photography include:
- Photography fee – this covers the actual shoot and then the licensing
- Creative fee – which includes pre-shoot production, photography, editing and usage rights
More complex images will have fees for retouch work in post production.
The copyright for any photo remains with the photographer. You’re buying the rights to use that image, and where you want to use it affects how much the licencing costs. The costs change if a photograph is used for:
- Commercial product – such as a calendar
- International brochure
- Billboards
- Magazines
- Advertising
- Point of Sale
If you’re a small businesses, it’s probably best to negotiate a package where you can use images on websites, social media, marketing content and editorial.
Costs: A day of photography ISN’T eight hours of taking photos
I’ll also spend time setting up gear, making an on-the-day light assessment, checking on subject’s wardrobe choices and putting them at ease.
Costs: How a photographer calculates their fees
In photography, one size doesn’t fit all. There are many variables such as:
- Extra time if working with children, animals or specific environments
- Hiring a photographic assistant for complex shoots
- Model casting
- Location scouting
- Prop sourcing
- Booking stylists
- Impact of time spent styling, for example styling food
- Location clearance permits
Costs: Would a retainer be better value?
If you’re a hotel and you invite a photographer back for four shoots a year, you’ll have every month covered after three years. Also less time researching means more time shooting!
Started the day with a photo shoot for @thehearingsuite!
Which is the perfect opportunity to work with some of my favourite people!
Amazing work @EmilyBalmer9 @oliviabrabbs @markbewick @philipgascoyne3! pic.twitter.com/tHZKSvBFoM— Nicky Hayer (@nickyhayer) June 24, 2019
On the day: Preparing your photoshoot environment
There’s no point paying a professional photographer to tidy up! Prepare by:
Offices
- Removing other company branding – such as freebie mugs
- Tidying away family photos
- Removing out-of-date branding, such as logos or old calendars, on walls
- Putting away client confidential information
- Creating a clean and clutter-free background
Hospitality and restaurants
You want your environment to be as clean and fresh as possible so:
- Ask housekeeping to give the rooms a little extra TLC
- Have a member of housekeeping staff on hand during the shoot, in case extra products are needed for props, or for tidying up
Prepare your staff for a photoshoot
- Ask people to wear plain colours and avoid overly fussy patterns
- Ask them to wear underwear that compliments the outfit. Professional lighting can show up a black bra under light clothing.
- Ask if people can bring three options for their top half – this helps when trying to harmonise with others in a group
- Have a list of extra people you can call on quickly for a crowd scene
- Maybe think about having a photoshoot on a training day, rather than a normal working day?
Want more ideas?
Olivia has written many useful blogs highlighting her style of photography, available on her website. Here are just some of them:
Getting the most from your lifestyle business photoshoot – advice by a magazine editor
Catherine Turnbull is a highly-respected and experienced journalist. She is the Editor of Yorkshire Living Magazines for York and North Yorkshire, West Yorkshire and Harrogate editions.
To be featured, you must have acceptable photos we can use
As an upmarket lifestyle magazine, Yorkshire Living is beautifully designed. We need to know you have suitable images before we can consider including your story. We will need:
- Between four to eight images, depending on the size of the feature
- As we work to layout templates, a combination of portrait and landscape ratios – as in mobile phone-shaped and TV-shaped images – works best
- All images need to be 300 dpi (dots per inch) – see below for what this means
- The images should be at least 3000 pixels high, in JPG format and at least 1MB in size
- For features about artists, business people and the like we would prefer to use lifestyle images on location, rather than a headshot
- We like to see products styled up, rather than just surrounded by white as if in a catalogue. So if you’re a wallpaper designer, we will need a photo showing your wallpaper in a room.
Our October edition of Yorkshire Living features THAT society wedding in York, images by @oliviabrabbs for @YorkFashionWeek inspired interiors & a much-anticipated review of @GrantleyHall_ pic.twitter.com/TqsIzo29uB
— catherine turnbull (@nordicqueen2) October 7, 2019
Dots per inch refers to the density of the tiny dots printed on paper to create certain colours. For websites and screens, these translate into pixels on a screen, and are the equivalent of 72 dpi. But for a sharp image in a magazine, it needs to be 300 dpi.
If you don't have enough dots, the image can look fuzzy in print.
The best way to send images
An email query with a link to DropBox or WeTransfer works better than huge email attachments.
What are the licensing terms of the photos?
Please make sure you have permission to use the photo under the licence agreement you made with the photographer. Do they need to be credited? Did you have a licence but it’s now run out? Was the photo only to be used for certain media?
If you don’t, and they find out, they can ask for additional payment from you.
For seasonal features, get your timing right
We work on a three-month lead-in time. Want to be in our Christmas edition? Get in contact by early October.
The more professional and beautiful your photos, the more likely we are to feature you
If you have professional photos, you might even become our front cover!
Maximising the content from your lifestyle business photoshoot – by me, Helen Reynolds, web and social media content writer
Before going freelance, I worked for an international holiday company and a national park. Since then, clients have ranged from cake makers to cathedrals. Professional images elevate every website and social media feed. Here I share how to get the most from your photography:
Brief for a photoshoot that can be used by everyone
Don’t just arrange a photoshoot for one use, such as a specific marketing campaign. Think how it could help with images for:
- Brochures and front covers of reports
- Business reviews
- Your website
- Your social media
- Press releases
Best time of year for a photoshoot?
Fact: any outdoor shoots involving countryside or trees could look wintry unless there are leaves on the trees. If possible, leave it until May.
Need good weather? Have a back-up plan
If you’re planning an outdoor shoot, have an alternative location ready in case it’s raining. If it has to be outside, have another date in the diary.
For general UK landscape shots which need blue skies, you might be better giving a local photographer a roving commission. You can ask them to take sunny photos at the tail-end of other shoots, when they’re already on location.
Someone’s looking rather gorgeous today @York_Minster !#York is open for business. #YorkFloods just near rivers. pic.twitter.com/MozBAB1C8U
— Copywriter/web content Helen (@InkGardener) February 18, 2020
Team photos
Think about who is going to be in the business in the long-term. One option is to have directors or founders presenting and people looking at them.
Give your colleagues plenty of warning
Never underestimate people’s vanity levels! Give them lots of warning that they may be photographed. There might also be some disruption should furniture need to be moved. Maybe you could book a meeting room for people to work in if they’re on a deadline?
Want photos of staff working? Choose your personalities
Photos of people working can lead to really natural images. However, if you think certain staff members might be tricky about being photographed, focus on other team members. Or ask for volunteers who are fine with being in front of the camera.
Need lots of models?
Ask the photographer if models can have copies of any photos taken. Then present the photoshoot as an opportunity to staff, friends and family to have a FREE professional photoshoot.
When I worked at the Lake District National Park, we needed photos of the play area at a visitor centre. I organised a morning photoshoot there for staff and their children. It looked really natural, was a fun well-being exercise and saved hundreds of pounds in modelling fees.
Delivering copywriting training in #York and @VeritauLimited have completed the Jargon Busting task in a mere 45 seconds – fastest organisation ever! 👏👏👏
Thanks to you all for being so welcoming and enthusiastic. #training pic.twitter.com/e9QmmGTafh— Copywriter/web content Helen (@InkGardener) January 24, 2020
Be on the photoshoot to help with logistics
If you can corral staff and props, the photographer will have more time to concentrate on getting great shots.
Brief your photographer for website and social media images
The ideal photoshoot would provide:
- Landscape ratios – long and thin, TV shaped images – are best for web headers, Twitter, Facebook and LinkedIn – rather than portrait
- Portrait ratios are best for Instagram which can be cropped down to a square
- High contrast areas – where white or dark text can be added afterwards
- Clean images with the minimum of clutter
- People wearing plain colours and no logos, as these date a photo
- Avoid cars and car number plates, as these date a photo
- If you’re planning on cropping images in the future, ask the photographer to avoid taking artistic but blurry foregrounds. For example, shooting through leaves can give a fuzzy green outline which looks strange when cropped
- Colour photos – unless that’s the brief. Monochrome can be very effective for some brands when part of a wider marketing strategy. But on social media black and white can appear quite stark.
- Include specific object photos, not just ‘the big picture’ – for example a vase on a table. Or the saddle on a horse.
Understand you won’t get the photos straight away
The photographer will edit the photoshoot but this will take time. So be patient.
Storing photos
If re-naming every file is too much work, at least store them in folders which make sense to everyone. ’14 Feb 2022 photoshoot’ isn’t helpful. ‘Food – Feb 2022’, ‘Restaurant – Feb 2022’, ‘Reception – 2022’ is.
Want more guidance about copyright?
Check out my blog: How to legally use photos on a website
Get your FREE lifestyle business photoshoot advice download
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